Popular Kumawood actor and filmmaker, Lil Win, has recently taken a firm stand against Ghanaian television stations for allegedly streaming his work and that of other local filmmakers without proper licensing or permission. In a video shared online on Monday, 29 April 2025, the actor expressed his disappointment with TV station executives, accusing them of neglecting the rights of Ghanaian content creators while heavily investing in foreign productions, particularly Asian soap operas.
Lil Win’s frustration stems from the fact that Ghanaian TV stations often prioritize airing foreign series like Kumkum Bhagya, which has gained immense popularity in the country. He questioned why the same level of support and funding is not extended to promote Ghanaian film projects. He emphasized the disparity in investment, asking, “If TV stations can pay to air Indian soap operas, why can’t they invest in our local movies for their audiences?”
This sentiment is echoed by Nollywood actress Bimbo Ademoye, who recently raised similar concerns about Ghanaian platforms broadcasting her work without proper authorization. The issue of intellectual property rights infringement has become a growing concern for both Ghanaian and Nigerian filmmakers.
In response to these grievances, the newly appointed CEO of the National Film Authority, Kafui Danku, has announced plans to crack down on TV stations that violate filmmakers’ rights. Stations that fail to comply with licensing regulations may face the revocation of their broadcasting permits.
The video of Lil Win’s impassioned speech has sparked a range of reactions from the public. While some have voiced their support for the actor’s stance, others have criticized the quality of content produced locally. One commenter, Goodnews Isaiah, expressed a preference for the meaningful content of old Ghallywood movies and called for a return to those storytelling roots.
Conversely, there are those like Peter Koomson Koomson who view TV stations as hindrances to the industry’s progress. They argue that by neglecting local content, these stations are stifling the growth of Ghana’s film industry. On the other hand, critics like Baffoe Enock believe that filmmakers need to focus on enhancing the creativity and marketability of their products to compete on a global scale.
As discussions surrounding copyright infringement and the marginalization of local creatives intensify, Lil Win’s bold statement has reignited conversations about the future of Ghana’s film industry. It is essential for TV stations to recognize and respect the intellectual property rights of filmmakers to ensure a thriving and sustainable creative ecosystem. The 21st century has brought about many advancements in technology, communication, and innovation. One of the most notable changes has been the rise of artificial intelligence (AI) and its impact on various industries and aspects of daily life.
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