The dancehall scene in Ghana has seen a significant evolution over the past two decades, largely shaped by four prominent figures: Shatta Wale, Stonebwoy, Samini, and Episode. Each of these artists has, at one point or another, claimed the title of the “true dancehall king”, showcasing their supremacy through hit songs, awards, street credibility, and bold declarations.
Samini, known as the godfather of Ghanaian dancehall, was the first to make a mark on international stages with his unique blend of reggae and dancehall music. Following in his footsteps was Shatta Wale, who boldly proclaimed himself as the “Dancehall Messiah” and disrupted the industry with his raw energy, unapologetic lyrics, and a dedicated fanbase that idolized his every move.
However, it was Stonebwoy, hailing from Ashaiman, who quietly rose to prominence under Samini’s mentorship. With a focus on structure, international collaborations, lyrical prowess, and captivating stage performances, Stonebwoy emerged as a force to be reckoned with in the genre. His recent accolades, including winning the Telecel Ghana Music Awards (TGMA) Artiste of the Year in 2024, solidified his position at the top of the dancehall hierarchy.
A recent poll conducted by Pulse Ghana across various social media platforms revealed that Stonebwoy has now captured the hearts of the Ghanaian people, garnering an impressive 52.79% of the total votes compared to Shatta Wale’s 36.15%. Samini and Episode trailed behind with 8.56% and 2.5% respectively.
Fans cited Stonebwoy’s lyrical finesse, international recognition, stage presence, and consistent brand as key factors in his rise to the top. With over 104 awards to his name, Stonebwoy has taken Ghanaian dancehall to global heights, performing at major festivals worldwide and collaborating with renowned international artists.
On the other hand, Shatta Wale, known for his street credibility and groundbreaking impact on the local music scene, has faced criticism in recent years for fewer international performances and public controversies. While he still commands a loyal following, the polls suggest that Ghanaians are now looking to Stonebwoy as the genre’s leading figure.
In conclusion, Stonebwoy’s dominance in the polls solidifies his position as the reigning king of Ghanaian dancehall. With a weighted average of 52.79% across all polls, it is clear that he has not only emerged as a contender but as the true leader in the eyes of the people.
